Just before World Cup fever breaks out, 21rozendaal will also turn its focus to South Africa, although in another way. In her short films – charcoal animations – and charcoal drawings, the South African artist Wendy Morris explores Africa’s history. She examines, in particular, the relationship between South Africa and Europe. Interestingly, she focuses not on the differences, but on the connections between the two continents. She is interested in micro-history, personal stories that are often excluded from the official annals and that paint a different picture of history. Her family history is also an important source of inspiration. In her animations, she interweaves stories of black and white and of Europe and South Africa. Her work provides insight into the history and political situation of South Africa, a country in which the Netherlands has left behind its “traces” through the Dutch East India Company. Far from Kimberly leads to reflection about the current position and relationship between South Africa and Europe, while two centuries of African-European relationships pass in view.

biography:
Wendy Morris (1960, Walvis Bay, Namibia, South African nationality) has lived in Belgium since the mid-1990s. Recent exhibitions in which she took part include: Parallellepipeda in M (Museum Leuven, 2010); Off the Record in Flanders Fields Museum (Ieper, 2008); Post-Memory: Bully Beef in In-Between (Antwerp, 2007) and Roles / Robes in Fried Contemporary (Pretoria, 2006). Her films are screened around the world at various film festivals. She teaches at the Sint-Lucas Academie in Gent and the University of Leuven. In lectures and publications, Wendy Morris reflects on her work and related subjects. In her essay ‘Anxieties of Influence - Imitating Kentridge,’ (2008) for instance, she wrote about the relationship between her work and that of the artist William Kentridge. This show is the first exhibition of Wendy Morris’ work in the Netherlands.

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